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The languidly aqueous appearance of these windows by Louis Comfort Tiffany's firm suggests the transformation of molten glass providing an appropriately watery effect for images of undersea life. Borders of thick stone-like glass "jewels" and multiple layers of wavy, twisted and rippled "drapery" coloured glass provide a setting for starfish, anemones, and other sea life to float suspended in the lower portions of the window. The upper segment reveals the placid surface of the ocean with the sky above.
Although themes of water and marine life would be revisited in some of his later Favrile vessels, enamels, and lamps, Tiffany produced very few windows with such aquatic scenes, and even fewer exhibiting such sophisticated abstraction as seen in these examples. The pair, part of a suite that may have depicted the four seasons, demonstrate Tiffany's appreciation of Japanese art and his innovative approach to stained glass design. Both windows show Tiffany at the height of his creative powers, experimenting with the texture and translucency of glass to create a masterful aquatic fantasy of colour and form.
The windows were manufactured by Tiffany Glass and Decorating Company.
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