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Transferring to the Virgin, the iconography which from the 14th century in Italy was traditionally used to represent Mary Magdalene, Ross portrays the mother of Christ with her arms splayed and held up, as if she herself was reliving the moment of crucifixion; the expression of the crucified Jesus seems in fact to be impressed upon the face of Mary, who is now prostrate with grief. Behind her, the horrible animal-like figure directing his squint-eyed gaze away from the scene probably takes up the theme of the bodyguard, the symbol of the treachery and wickedness that determined the killing of Christ.
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