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Conceived as part of Munch's semi-autobiographical cycle "The Frieze of Life," The Scream's composition exists in four forms: the first painting, done in oil, tempera, and pastel on cardboard (1893, Nasjonalmuseet, Oslo), two pastel examples (1893, Munch Museum, Oslo and 1895, private collection), and a final tempera painting (1910, Nasjonalmuseet, Oslo). Munch also created a lithographic version. The various renditions show the artist's creativity and his interest in experimenting with the possibilities to be obtained across an array of media, while the work's subject matter fits with Munch’s interest at the time in themes of relationships, life, death, and dread.
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