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Morlaiter's decoration develops along the walls of the staircase space, at the level of the second landing. Inside seven large arches delimited by Ionic pilasters, he painted a large faux loggia, closed off at the back by a marble wall, against which statues of goddesses stand inside aedicules surmounted by rectangular tympanums. A carnival-like reception is under way on the loggia, and the participants include a number of elegant ladies and noblemen, some in wigs, some in three-cornered hats, as well as a prelate and an Eastern figure, all busy conversing amiably, or sipping coffee and liquors served by efficient waiters in livery.
The picture shows the wall opposite the grand staircase.
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