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Although officially considered a third member of the so-called German Romanists, Hans von Marées, long resident in Italy, moved far from the dramatic narrative of Böcklin or the ponderous perspective of Feuerbach. The Berlin-trained von Marées was Germany's major prophet of Modernism, filling a critical role as that nation's Puvis de Chavannes, the French master who was thirteen years his senior. Like Puvis de Chavannes, von Marées followed the Nazarene and Pre-Raphalite revival of wall painting. His major commission was the 1873 murals for the Library of the German Marine Zoological Station on Naples.
The Oarsmen is a powerful study for one of the largest Library fresco, located on the north wall.
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