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The artist, a pupil of Rembrandt, is holding in his hands Rembrandt's etching, "The 100 Guilder Print". It is generally accepted as his self-portrait and as his homage to his teacher, but even if we ignore the fact that this portrait does not show a cross-eyed man - we are told that de Gelder bore his affliction with good humour - the evidence for this identification is flimsy.
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