|
The painting has an iconographically very unusual theme. It shows Martha reproaching Mary Magdalene for her vanity, a subject that we know through a series of copies. The painting at Detroit has recently been recognized as the original.
The religious theme is treated in a substantially profane manner. It is a pretext for making passages of highly intensive painting and for constructing an image that, seen in the context of the usual dichotomy of Caravaggio's early years, is more of a genre scene than a religious one.
| 
