|
There are several assumptions concerning the identity of the young woman (Simonetta Vespucci, Clarice Orsini, Fioretta Gorini etc.). The painting is also known by the title "Bella Simonetta". The picture was partly repainted. The sleeve of the robe covers the left hand in a very unnatural way.
The lock of hair coming loose from her bun gives a more spontaneous feeling to this severe profile portrait. The half length figure is slightly to the left of the centre of the picture. Behind her is a dark window frame and it contrasts with the gentle flow other contours.
In the tradition of Italian portrait painting in the early Renaissance, inspired by ancient coins, the woman is depicted in profile, a pose which enabled the artist to faithfully represent facial features, hairstyles and clothing which were essential indicators of the subject's social status. However, in this case the woman wears no jewelry and is not shrouded in excess luxury: the sophistication of the gown, a gamur, is portrayed only by its crimson color, very much in fashion at the time, and the puffed sleeves created by the cuts in the fabric, separated from the gown itself.
|
